Additionally, Bree was designed in variable font format for those who want complete control over the fontРІР‚в„ўs appearance while simultaneously saving digital weight in the form of kilobytes and megabytes. More than that, Vietnamese support was added to Bree Latin, and the Bree Greek and Bree Cyrillic scripts were designed from scratch to parallel the LatinРІР‚в„ўs tone. A few shapes were updated or added (the РІР‚ВkРІР‚в„ў and German capital РІР‚ВР“СџРІР‚в„ў), two entirely new weights were added (Book and Book Italic), and spacing was perfected. All this adds up to a big personality, so even when set in small text there is no skimming past the words Bree voices.In 2019, the Bree font family got a huge update. Bree has a touch of cheekiness, a wide stance for each character, and an extra-large x-height. Alternates of these letters are available when a more neutral look is desired. As such, some of its most characteristic features are the single-story РІР‚ВaРІР‚в„ў, the cursive РІР‚ВeРІР‚в„ў, the outstroke curves of РІР‚ВvРІР‚в„ў and РІР‚ВwРІР‚в„ў, the flourished РІР‚ВQРІР‚в„ў, and the fluid shapes of РІР‚ВgРІР‚в„ў, РІР‚ВyРІР‚в„ў, and РІР‚ВzРІР‚в„ў. Bree is clearly influenced by handwriting.

As an upright italic, Bree shows a pleasant mix of rather unobtrusive capitals with more vivid lowercase letters, giving text a lively appearance.

The Bree font family is a spry sans serif by Veronika Burian and JosР“В© Scaglione that delivers a spirited look and feel for branding and headline usage.

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